I loved this book; it is about nature, spirituality and seeing things in a new way. The author helps one to see and feel what he is.....I have used many of his books as gifts...they are a forever treasure.

I found this book by accident. I liked the title and I love nature writing. But this isn't nature writing like anything I have ever read. This is some of the most beautiful poetry and storytelling I have ever read. It is the most spiritual nature writing I have ever read. This book took me to a place like prayer. Kent Nerburn is a genius.

You can find the solution fast in this book. It is well-indexed, and the pages are laid out well with photos and related tips. Space is at a premium for me, so it helps that this valuable tome is only 1/2-inch thick.

I used my book today to learn how to refresh some stale bread. The book had a separate hint for crackers. Elsewhere it suggested adding a pinch of salt to ground coffee to reduce bitterness - who knew!

This is a great book. I refer to it almost weekly to help with household "problems". These problems become obsolete after following the tips in this book. A great gift idea!

The "Guides to Biblical Scholarship" took a decisive turn for the better shortly before this volume was produced. This is easily one of the better volumes. Petersen clearly demonstrates the techniques and structures utilized by the Hebrew poets with plenty of examples from the biblical text. Terminolology has become quite confusing in this area, but Petersen cuts through these difficulties. Controversial matters such as the existence and function of meter in Hebrew poetry are treated in a balanced manner. Furthermore, the book goes beyond mere demonstration of poetic features and fulfills the promise of the title by illustrating how an understanding of these features informs the interpretation of poetic passages of scripture. This is a good place to begin before moving on to the more extensive treatments of the subject by Gillingham or Alter, or the more complex and cutting edge analysis of Kugel.

This is a very good book on Hebrew Poetry. It takes into consideration some of the more current thoughts in linguistics. If you are interested in Hebrew Poetry, you should have this book in your library.

My organization has been involved in process improvement for several years. I found this book to be very interesting, as we have experienced many of the missteps mentioned. I found this book to be very helpful in mapping out strategies for establishing and tracking your organization's process improvement approach. I also appreciated the examples of process, procedures, policies, and plans; as well as the difference between them and the reasons why they are needed, as my organization had struggled with these documentation issues. The later chapters dealing with statistical control and higher maturity provided me with a clear understanding of these concepts and how to institute them in my organization. I would recommend this book to anyone in process improvement. It works not only for the novice, but also the experienced process improvement specialist.

I am a university professor and am often asked to review books dealing with technical subjects. I enjoyed reading this book because the authors present their points cogently and offer step-by-step approaches toward resolving business issues. I also found the statistical process control, metrics, and higher maturity chapters to be interesting and entertaining. The authors take the reader through several different techniques that can be found in organizations, summarize each, and then demonstrate which methods they find to be the most often used, and most easily understood. While I am not a process improvement specialist, I feel that anyone who is assigned these duties could benefit from this book. This is not just another re-hash of the CMMI.

John Marshall and the Heroic Age of the Supreme Court written by R. Kent Newmyer is a biography about the fourth Chief Justice of the U.S. Supreme Court, John Marshall. This is not just an ordinary biography, but a biography with feeling, deep understanding andcomprehensive knowledge of Marshall.

This book is, by far, the most extraordinary biography, and paints a portrait of Chief Justice Marshall, the man, with perception and details , at the same time the author does an exhaustive biography of the jurisprudence of the Marshall Court.

John Marshall, (1801-1835) was appointed to the Supreme Court by John Adams as he was leaving office. A last minute appointment and second cousin to Thomas Jefferson, Marshall served in some of the most formative years that the has ever seen. Marshall wanted to bring the court into the central picture of the government and reigned in the court from the fringes of government, Consolidating the authority of the court making the Supreme Court the final arbitor when it came to constitutional.

John Marshall was a man equal to Jefferson when it came to the challenges of office and was equally skilled at the crafting law that supported the emerging American market economy. It was Jefferson and Marshall, however who symbolized and personalized the competing constitutional persuasions of the age and brought them into explosive focus. Each had taken a stand on the great foreign and domestic issues of the 1790's; each had conflated those issues into a dispute over the meaning of the Constitution. When fate and ambition made Jefferson president and Marshall chief justice, the institutional stage was set for what is one of the most creative confrontations in American constitutional history. At stake was not just the position of the Supreme Court in American government but the place of law in republican culture.

Can you imagine being there when Marshall was giving the oath of office to Jefferson... when the new chief justice administered the oath of office to the new president on March 4, 1801. With his hand on the Bible held by Marshall, Jefferson swore to uphold the Constitution, Marshall was sure sure he was about to destroy.

This book has an engaging narrative and you seem to read the information quickly and with ease, the author's prose is extremely well-written. As for the historical information it is spot-on even the court cases are found on a listing in the back of the book. Marshall was more than a chief justice, he was priciple in the forming a United States. Marshall's institutional accomplishments are found in this impressive study. For a one volume book... this is the most comprehensive... Marshall was the most representative figure in American law. This book is well worth the money ans should be in the library of all who study American History.

John Marshall, our nation's fourth Chief Justice, served from 1801 until 1835. He was appointed by President John Adams in one of the last and most significant acts of his administration.

Professor Kent Newmyer has written a comprehensive account of the great Chief Justice's career. The account is admirably researched and documented, drawing extensively on a new edition of Marshall's papers. It includes careful analyses of Marshall's leading opinions. Most importantly, Professor Newmyer gives a thoughtful discussion of Justice Marshall's place on the Court and on the importance of his vision of the United States for our history.

The book includes a good discussion of Marshall's role in the Revolutionary War, as a successful lawyer in Virginia, and as a landowner and extensive land speculator. But most of the book consists of a discussion of Marshall's career on the Court, his opinions, and the manner in which he shaped the Court as an institution.

While Newmyer admires his subject greatly, I found this a very balanced account. He allows that Justice Marshall did not always meet his own stated goals of separating law from politics and notes how Marshall's activities as a land speculator seemed to play a critical role in several of his leading opinions.

The discussion begins with Marbury v Madison and its role in the doctrine of judicial review. It continues with a thorough discussion of Marshall's role in the treason trial of Aaron Burr, through a discussion of the great opinions construing the Commerce Clause and Contracts Clause of the Constitution, through the Cherokee Nation opinions that Marshall wrote near the end of his tenure which established the foundation of American Indian Law. (Professor Newmyer considers these decisions Justice Marshall's proudest moment.)

The book considers Marshall's attitudes towards and opinions dealing with slavery. There is also a discussion of a series of polemical articles Justice Marshall exchanged with critics following the decision in McCollough v Maryland. Marshall's critics feared that he was giving too expansive a power to the National Government as opposed to the States. In fact, at the end of his career, Justice Marshall feared his life work had been overtaken by events with the rise of the democracy, a strong state rights movement, and the Presidency of Andrew Jackson.

Professor Newmyer sees Justice Marshall as a Burkean conservative in a new world. Marshall interpreted the Constitution broadly, yet flexibility to allow the development of individual, and national commerce and enterprise. Yet he was devoted to institutions and strongly inclined to accept the world as he found it rather than make it over in accordance with abstract principles (as he accused the supporters of the French Revolution of doing.) Newmyer writes:

Marshall spoke as a Burkean conservative, or as much of one as American circumstances allowed. He was repelled by reductionist abstractions as well as abstract idealims, even when it was couched, as was much of southern constitutionalism in terms of a mythical past. He worked from the 'given', accepted the world as it was, relished 'the disorder of experience" to borrow a phrase from Charles Rosen." (p.351)

Justice Marshall was not an original thinker, but he took the text of the Constitution, together with the Federalist, and molded it and the Court's interpretive role in a way that is with us today. He remains America's great Chief Justice. There is much for the interested reader to learn and to think through in Professor Newmyer's fine study of Justice Marshall.

Similar to Mark's Handbook. Has content that is not in Mark's (and vice versa). Has more material property charts than Mark's. I like having both Handbooks, although most of the material is redundant, so I would look for a good quality used one.

it is good book, the content is very interesting

Kent Jones offers a third way for film lovers who want to appreciate the films of Robert Bresson, but are daunted by both their reputation for austere formal rigour, and by critics' insistence on their Christian doctrinal severity. Jones advises us to reverse the usual process, which is to weld Big Themes onto the films, and instead look at what's on the screen closely, the 'sensual details' of Bresson's art, such as the hands that do routine work, the sway of coffee in a mug, a glass of wine falling on the floor, the sound of a rushing stream.

On a purely visual level, the ex-painter Bresson's films can seem unusually flat, but if you connect this deliberate flatness to Bresson's use of sound and light, and the careful way he builds scenes through precise composition and 'punchy' editing, a unique three-dimensionality is achieved. If you know how to look, Bresson's pessimistic films glow with life; if you don't, they seem mean and drab. Jones' book does what literature on film should do and rarely does - it opens your eyes. I rewatched 'L'Argent' soon after reading this study and the experience was revelatory. What I had previously watched with dutiful admiration suddenly became vibrant and urgent.

Jones' book is a very old-fashioned piece of film-criticism, with no recourse to psychoanalysis or feminism, no attempt to discuss the film's production process or its cultural context, or to apply biographical information (probably because, in Bresson's case, there is so little known). For Jones, 'L'Argent' is a Great Film by a Great Auteur, and analysed accordingly, as if it were a book, each detail dissected and related to the whole. This procedure is so refreshing because in most theory-based criticism, the actual films tend to get lost (never mind any love for the medium), as minor details are absurdly inflated into whole theses.

Jones begins with an overview of the critical reception of Bresson's work (either over-reverent or baffled), the ways in which Difficult Ideas have obscured the essence of Bresson's cinema. He then discusses the film's source, Tolstoy's relentlessly didactic novella 'The Forged Coupon', locating the radical differences between the two works, in narrative detail, thematic emphasis and aesthetic process, thus revealing the deeper meanings of 'L'Argent'. The bulk of the study comprises a meticulous, scene-by-scene, shot-by-shot analysis of the film, the story of a young worker who, paid off with counterfeit notes, is dragged into an inexorable narrative of robbery, jail, marital breakdown, suicide and serial murder. This procedure could have been plodding, but Jones alerts us to every camera angle, every cut, and, especially, every sound, making this film in particular, and, potentially, films in general, live and resonate. He shows how Bresson gives each scene its own heightened integrity, free from the mechanical, explanatory chaff that blights most movies, resulting in high-pitched narrative of uncommon intensity. Only when we have properly absorbed what's on the screen, can we begin talking about what isn't, abstract themes, morality, religion etc. Jones' high-minded, high-art tone should grate, but seems refreshing in post-modern times that promised egalitarian energy and gave us nothing but conformist sludge.

Kent Jones deserves to be mentioned in the same breath as Jonathan Rosenbaum and J. Hoberman and Gilberto Perez, and this is an exhilirating analysis of an astonishing and unfairly maligned film by Bresson, who was God.

Let it Go Just Let It Go! is a wonderful book about coping with the stresses and disappointments resulting from everyday life. After reading many books in this genre, I was unenthused about another book on stress. I read this on a friend's recommendation and found it to be a true treasure. Kent gives insight and practical, tangible advice on techniques to manage life's problems with humor and enthusiasm. This book has truly been a treasure and one that I will re-read over the years! Highly recommended for everyone!

Excellent book! Only Heathens in Heat can come close to telling it like it is!

Kent Nerburn has a gift of communicating what you would like to share with your son about life but didn't know how. It is easy reading, not intimidating and sends the right messages.

I have been sending a chapter at a time to my son who is now in college. In many ways, the thoughtful and insightful writing by Kent triggered responses that I never would have conferred with my son otherwise.

I found it helpful to write my own thoughts about a particular subject in the margins. I have no idea what my son has thought about these chapters that he receives about every other week. I'd like to think though that it helps him ponder every day life and will be of service in helping judge right from wrong

This book is a compilation of hundreds of newspaper articles in chronological order about the Lizzie Borden case, from initial coverage of the "shocking crime" to news accounts about Lizzie's death decades later. Many articles surprise the reader with their blatant factual errors, while others impress with eloquent writing. Some of the journalists who covered the Borden trial were insightful and gifted writers. The book has no photos, but it does have several dozen pen-and-ink drawings. The book also includes the complete transcript of Lizzie Borden's testimony at the inquest. I would recommend the book to any Borden buff.

Did Lizzie Borden murder her father and stepmother with an axe? This book will not provide you with an answer to that question but it will provoke the reader to begin a journey for the truth. The Lizzie Borden Sourcebook is interesting because it contains copies of all the original newspaper articles written about the double murders of Andrew and Abby Borden. Adding to the book's authenticity, are the many enjoyable pen and ink drawings of the key players and landmarks pertaining to this puzzling murder mystery. I certainly recommend this book to anyone who is interested in mysteries, true crime, or Lizzie Borden.